Monsters on Netflix: New Series: What are the new series and why?

The killer of eight of the eight murders committed between 1968 and 1985 and between 1985 and 1985, from the television series Florence Monster Today.

Monster on Netflix: how the new series and why Pietro Pacciani and "Food Friends" only appear at the end

From today's TV series The Monster of Florence, a serial killer responsible for eight murders between 1968 and 1985

Let's make a prediction, as wrong as everyone else: critics will love it more than the public.We already have some clues about the first one, because Monster went to the Venice Film Festival, so many people have already expressed their opinions: mostly positive comments, but also some criticism.

Those of us sitting in the audience start watching the first episode and are gripped: the slow pace;shaky timelines;unclear development;background music that is meant to build tension but is sometimes annoying;the lack of familiar faces in the cast (which are good though);the total absence of "snack buddies", Pacani, Vanni and everything else the news imagination has told us about the Florentine monster over the years.Nothing.clear where it is going, leaving the viewer confused.But luckily, we don't let ourselves get upset and move on.

The second program is coming, and the most important one - the third one.And everything changes.That is, the slow pace of the story and the change of time planes do not change.This changes the perception of the viewer.Because after the first reconstruction of the crime, the first version, another one follows.And another one.Each episode has a "monster" and a scene.to the camera - with background music playing, the ambiguous atmosphere, the long story of this Sardinian family transplanted to Chianshire - begins to give good harvests, harvests of fear and adrenaline.

What is (not) the monster.

So what is Monsters on Netflix on Wednesday 7 October 1 October?Like the Adrenaline series, all the Stacono Solmi and all the mountains and companies, all the Stacono soellima (Goderrio, Romesso) sub, Rorbara, Roberra, Rorra, Roberra,

Not too sick (some sex and blood yes, but not too late).And it has nothing to do with Zodiac, about the American "Monster" directed by David Fincher.We're several years away from The Monster, which came out a few weeks ago and combines the horror spaces between necrophilia and mutilation with great freedom of expression with an ultra-modern veneer.

Track Sardinia

Monster focuses on the initial investigation into the never-ending investigation of a killer (or killer) who killed eight couples over a 17-year period starting in 1985.A surprising choice as it is far back in Italian time and memory, but at the beginning of the entire investigation the focus is on the Sardciani crimes and the crimes of the "1980s".

And on one condition: Their murders were not similar to the others.(By attacking the woman's body, stabbing, and mutilating her genitals), but it was done with the same .22 caliber Beretta.As shown by the H series bullets indicating eight murders over the years.

Ancient and sick world

The choice of Solima told us about the community and camps of the woman and the woman of the woman and the woman of a woman in the sexual or women.

In the interviews, the leadership will improve "FIIshist", at the end of these days: "When the woman died."

Historical consultant, Francesco Cappelletti, - with Solima and co-creator Leonardo Fasoli a passion for court documents - ensured adherence to historical facts and details.The series tells the story of a backward country, an ancient and unhealthy world that hides sexual preferences and survives on obscene and blackmailing familism.But one of the most difficult and flawed investigations in Italian history was also made possible by immediate responses and the pressure of public opinion that put pressure on the investigators.

Do I look fake?

Sollima doesn't seem to want to give in much to the spectacular murders, all told with surgical coldness, from the medico-legal expertise.There are no acrobatic carriages, nor is the typical criminal language used.Adherence to history makes the filming almost documentary at times.The characters themselves do not have much psychological depth, as what matters is telling how the story is perceived at different moments of the investigation.

Not even a place for victims, because the view of the fans of Murderer, who does not know.He found them isolated on a country road and they were killed, attacking a woman.

The audience sees itself from time to time through the eyes of the "monster" and the researchers.And like the judge and the police, he is wrong.Coincidences pile up and it is no longer possible to distinguish between the true, the proven, the unproven, and the result of a false story or a logical but arbitrary deduction.

Pietro Picciani appears

The four narratives with the savior of the pig disappearing into thinness, one of many, which alone must mean a lot, and what the sallow leaves look like a little and which the sallow leaves look like a little and which are the sallow, should be said in the last few lines of the second question.

His story, who was sentenced to life imprisonment, then acquitted and then died on a second appeal, is intertwined with Mario Vanni and Giancarlo Lotti, both of whom were convicted of several crimes. Leaving great doubts and continuing another infinite path, full of coincidences and suggestions involving satanic sects, but not really proven.

Monster comes out in a fiery moment, 40 years after the last crime, and is accompanied by a slew of books and podcasts, each with its own thesis to defend.Solima and Fasoli don't favor either of them, although the focus on the Sardinian trail in these four episodes is already a choice of terrain.

But that doesn't mean we won't move forward: if the public understands and appreciates the authorial qualities of the series, other seasons will come, this one inevitably dedicated to Pacciani and his companions.The result may be the same.

As Sollima himself said, in the presentation of the series in Venice, "the monster, after all, can be anyone".And perhaps the meaning of the operation lies in this disorientation of the viewer, creating and demolishing false paths, multiplying possible monsters, to the point of suggesting that a little monster, perhaps, is inside us.